8/10/13 - Gothenburg, Sweden, Slottsskogen, "Way Out West Festival"

8/10/13 - Gothenburg, Sweden, Slottsskogen, "Way Out West Festival"
 
Setlist:
The Greatest - 9:10
Cherokee - 5:20
Silent Machine - 4:09
Manhattan - 6:23
Bully - 5:21
3, 6, 9 - 4:03
Nothin But Time - 4:26
I Dont Blame You - 6:09
Metal Heart - 5:35
Shivers - 6:27
Peace And Love - 4:20
Ruin - 6:17
Total Time - 1:07:40 

This is the 55th performance of the year and the 73rd performance of the ''Sun'' tour. This is the last date of the 2nd leg of the European dates. This is also the last date of the "Sun Tour". A stereo FLAC recording of this concert in surfaced in February 2014. The quality is great. The times listed above reflect this audio. 

(eliselisenslice)


(thefrenger)


(annacpalmer)


(festivalfoton)


(markstreck)


(uffemammut)


(annikateresa)


(bahtra)


(markstreck)


(thildape)


(jasonlag)


(eliselisenslice)


(carlcoyote)


(llamalloyd)


(sjostrom78)


(mateocbergil)


(rasmusbrandin)


(sararundblad)


(mintanna)


(prudvall)


(anoucken)


(yvlan)


(timperiet)


(incrediblekarin)


(nikiylia)


(ladyfestmalmo)


(erikjacob)


(malinsebelius)


(afasm)

Review
http://www.stereogum.com/1433602/way-out-west-2013-day-3-kendrick-lamar-cat-power-disclosure-more/news/

Chan Marshall obviously doesn’t have the level of onstage confidence of Kendrick or Danny, but she’s getting there. The first time I saw Cat Power live was 14 years ago, and her live reputation back then was, let’s say, spotty, and justifiably so. It was hard to watch her struggle through shows when she so obviously didn’t want to be there. Well, she wants to be there now, and her level of swagger is higher than it’s been in all those years. Her voice is in ridiculously strong form, too; she sounds even more like a soul singer now than she did on her wonderful tour for The Greatest. Midway through her set, she sang an abbreviated version of her 2012 parenting anthem “Nothin But Time,” probably my favorite song that she’s ever written, and she followed it up shortly afterward with a heart-stopping covers medley of the Velvet Underground’s “Oh! Sweet Nuthin” and INXS’s “Never Tear Us Apart”; I seriously thought I might cry. She sang “Metal Heart,” her Moon Pix oldie, as an anthemic slow-building torch song, giving that song an authority that it never had before. She’s still a bit of a spaz onstage, but that spazziness no registers as charm, not fragility. She finished her set tossing white roses to bandmates and audience members, like a total boss. And then she danced to “New God Flow.”

15 Pictures
http://www.rockfoto.net/artists/cat-power/20130810/19319

Had to post this one!

Review (translated from swedish)
http://www.metro.se/way-out-west/en-emotionell-cat-power-levererar/EVHmhj!7TJIvXA2efa4Q/

Cat Power begins by taking your breath away. She has a reputation for being mighty wobbly on stage and when she starts to say, "Uh, Public Enemy," gives her whole revelation feeling that she is not really in balance. But it was her way of thanking hip-hop veterans that played before her on the opposite stage (she said that stood eyeing their whole gig from his own stage).

Then she starts singing and then she sings. Chan Marshall, as her real name, gives the impression that to be a broken person suddenly takes the plunge decides to open his heart and bare your soul.

She has done many times on record. She's open with that she's a fragile, vulnerable person with self-destructive traits, who lost everything she owns and has three times. But right here almost get the feeling that she takes the plunge and confess their shortcomings and errors for the very first time. There is no artist can see, it's a human. It's very emotional.

Just as emotionally strong, it does not continue, then her self-awareness and self-confidence seems to grow. But it is captivating. And despite the dark features, it soul, pop and rock that feels very life-affirming.

After 55 minutes, Cat Power's bursting suddenly into a smile. Then it's time for her keyboardist to play guitar hero. I would have preferred to Angel Haze (who appeared at the festival the day before) had visited her in "Manhattan". But one can not have everything in life. And Morrissey-trick of throwing out white flowers to the audience, I had also been able to do without.

1 picture
http://www.svd.se/kultur/scen/glada-overraskningar-pa-way-out-west_8411026.svd

Picture and Review (translated from swedish)
http://www.gp.se/kulturnoje/recensioner/konsert/konsert3fyrar/1.1897393-cat-power-azalea-lordag

Chan "Cat Power" Marshall lingered scene after gig. While the rowers began to take down the instruments she threw white roses into the crowd in front. Anyone who can Marshalls personal history knows that it is not at all a matter of course for her to act. With that in mind, it was touching to see how she took on the music and sang nervy with great presence. The crowd was unfortunately a bit chatty and a quiet song Bully took a beating of bustle. The band was able but it felt like the distance was a little too big between the musicians on the big stage.

Picture
http://www.goteborgnonstop.se/tag/cat-power/

Review and Pictures
http://kulturbloggen.com/?p=73608

After six years of silence gave American indie queen Cat Power, or Chan Marshall who actually called, last year, the ninth album Sun - a brilliant rebirth with his penchant for electronic elements felt both innovative and stylish - but the subsequent European tour was last winter rapidly in response to both physical and mental health. So when she was to the tune of Frank Oceans Bad Religion with its rock'n'roll band step on Azalea Stage on Saturday evening, it is thus difficult to know what we can expect from the spirited forty-year-old toddler. After throwing out the incense in the audience begins the hour-long show with a remake of the 2006 The Greatest followed by the single Cherokee. Despite her impressive back catalog the focus is on the new: seven of the eleven songs from Sun played, which in theory seems justified when the Sun belong to last year's strongest albums, but unfortunately it feels right tonight uneven. At times, I get downright impression that she was not quite mastered the new songs. But the surging vocals in Manhattan and Nothin But Time - which shortened version, but Iggy Pop, nothing feels as inspiring as on disc - offset by the utter brilliance of the older and slightly more bluesy raspy songs I Do not Blame You and Metal Heart, even reinvention Bully sticks out of his depth. She also has time to do an Oh! Sweet Nuthin-mash-up before she rounds off the show with Peace and Love and Ruin. Encircled by a fragile aura, she leaves no one indifferent, but it is only now and then she shows off its best side. However, she seems to be in good spirits, she fits on several occasions to thank Public Enemy - who played at the Flamingo stage earlier in the day - and when the show is over, she takes plenty of time to throw out white roses to both the stagehands and the audience before she steps off the stage.

photo by Magnus Olsson

Review: http://www.festivalrykten.se/cat-power-way-out-west-108-2013/

It appeared on dime. i listened to Shivers and it sounds very good to me.

SETLIST (67:46)
-----------------
01) The Greatest
02) Cherokee
03) Silent Machine
04) Manhattan
05) Bully
06) 3, 6, 9
07) Nothin' But Time
08) I Don't Blame You
09) Metal Heart
10) Shivers
11) Peace And Love
12) Ruin